Page two of The Hunting of the Snark GN is a veritable rogue's gallery of Nonsense Wallahs … from right to left (semitic justification has been applied for at the appropriate government agencies):
The Boots, AKA Charles Darwin
The Bonnet, AKA Friedrich Nietzsche
The Barrister, AKA Martin Heidegger
The Broker, AKA Eric Satie
The Bellman, AKA The White Knight AKA Sir John Tenniel
The observant reader will detect a pattern here: all of the B-Boyz must have been alive during Carroll's lifetime.
If memory serves, Satie enjoyed creating miniscule models of houses shaped out of lead, which he kept in a cabinet in his home. He would periodically advertise these houses in the local newspaper — making no mention of their actual size — and would take great delight in ushering the prospective home-purchaser into his parlor, and there solemnly presenting him with the unexpected lilliputian house. One can imagine Nietzsche's reaction to this — the Gallic humor! the German silence!
Satie's aptly-named piano piece, Vexations, is an ideal soundtrack for la vie snarque, and so here is a full, unabridged performance of it. If only Satie had made this into an opera, it would have saved humanity from the dullard doldrums of everything else.
Monday, March 27, 2017
Monday, March 13, 2017
The second panel of my Snark GN … self-explanatory, I should think. The Quebecois, tripartite motif is reinforced by the element of stealthy moisture. Both the fleur-de-lys and water (and what is the color of this water? It is the color of water) are attributes of monarchy, the former being an attribute of the ancien regime and the latter being referred to by the Sun King in his infamous pronouncement: apres moi, le deluge.
The Bellman is given to royal diktats of this sort which he legitimizes with a Christian, trinitarian strategy. The hunting of snarks is not peasant's sport, it is the sport of kings. Pshaw to the separation of church and state that was once so ballyhooed by our American cousins. What ho! saddle up, the last man afield is a prole! Ditto for the women, eh?